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DIGITAL
MULTITRACK
RECORDING |
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MIDI
COMMUNICATION
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| Main Features | ||||
| ANALOG I/O | -
40 Inputs (24 analog + optional YGDAI card) - 2 Stereo Return for the on-board effect processors - 8 Bus Out + 16 Direct Out (via optional YGDAI card) - Stereo / Aux 1-6 / Control Room / Studio Monitor Outs |
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| DIGITAL I/O | -
AES/EBU and S/PDIF Stereo In/Out - Additional AES/EBU (x1), S/PDIF (x2) Inputs - 4 YGDAI slot for AES/EBU, ADAT optical, T-DIF, Y2, A/D (8 In/8 Out each) optional cards - Wordclock In/Out |
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| SCENE MEMORIES | -
64 (02R v.1) - 96 (02R v.2) |
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| SAMPLING FREQUENCY | -
Internal: 44.1 kHz / 48 kHz - External: from 32 kHz to 48 kHz (+/- 6%) |
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| A/D CONVERTERS | 20-bit (64x oversampling) | |||
| INTERNAL PROCESSING | 32-bit | |||
| D/A CONVERTERS | -
Stereo Out / Control Room: 20-bit (8x oversampling) - Studio Monitor / Aux Out 1-6: 18-bit (8x oversampling) |
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| DITHERING | 16-bit to 24-bit in 1-bit steps | |||
| SIGNAL DELAY | < 2.5 ms (Mic/Line Input to Stereo Out) | |||
| FADER RESOLUTION | -
Input channels (128 steps/100 mm.): +10 to -90, -inf. dB - Stereo Output: (128 steps/100 mm.): 0 to -120, -inf. dB Note: Fader response is 24-bit interpolated (over 16 millions of steps). |
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THD |
< 0.2%, 20 Hz - 20 kHz @ +4 dB (600 ohm) | |||
| DYNAMIC RESPONSE | -
A/D to D/A (Mic/Line In to Stereo Out): 105 dB typical - D/A Converter (Stereo Out): 110 dB typical |
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| HUM
AND NOISE (20 Hz - 20 kHz) |
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EIN: -128 dB - Stereo Out (Master: 0 dB, all channel faders: - inf.): - 88 dB (92 dB S/N) - Stereo Out (Master: 0 dB, all channel faders: 0 dB): - 64 dB (68 dB S/N) Rs = 150 ohm Input Gain = max Pad = 0 dB Input sens. = -60 dBv Sampling frequency = Int. 48 kHz Filter 6 dB/oct @ 12.7 kHz |
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| MAX VOLTAGE GAIN | -
Mic/Line Input 1-16: 74 dB - Line Input 17-24: 54 dB |
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| CROSSTALK @ 1 kHz |
- Adjacent
Input
channels: 70 dB |
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| Inputs: Mic/Line 1-24, Tape 1-16 | ||||
| INPUT DETAILS | -
Mic/Line 1-8 (balanced, XLR + TRS jack selectable connectors) - Mic/Line 9-16 (balanced, TRS jack) - Stereo Line 17/18-23/24 (balanced, TRS jack) - Tape 1-16 (analog or digital inputs, depending from the YGDAI card used) Note 1 - Digital Inputs: the Mic/Line 1-8 and 9-16 channels can be also connected to YGDAI optional cards. By mounting 4 YDGDAI cards (ADAT Optical, T-DIF, AES/EBU or Y2 digital I/O) on the rear panel, up to 32 digital inputs can be used. In addition, 1 AES/EBU and 2 S/PDIF inputs are also available as standard. Note 2 - Analog Inputs: the Tape 1-16 channels can be connected to YGDAI A/D card. Using this configuration, up to 40 analog input can be used. Note 3 - Dedicated level controls: all channels (Mic/Line or Tape) are equipped with a dedicated level control. Typically, Mic/Line channel levels are controlled through motorized faders and Tape through rotary encoders. In any moment this assignment can be easily flipped pressing the Flip button. |
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| PHANTOM SWITCH | Available on Mic/Line 1-8 (individual) | |||
| INSERT | Available on Mic/Line 1-8 (pre A/D converter) | |||
| GAIN TRIM | -
Mic/Line 1-16: 44 dB (-60 dB to -16 dB) - Line 17/18-23/24: 44 dB (-40 dB to +4 dB) |
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| PAD SWITCH (20 dB) | Available on Mic/Line 1-16 channels | |||
| DIGITAL I/O OPTION |
- Analog |
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| A/D CONVERTERS | 20-bit linear (64x oversampling) | |||
| ATTENUATORS | 20-bit linear (64x oversampling) | |||
| EQ | -
4 band parametric full sweeping (+/- 18 dB, Q range between 10 and
0.1) - Peak and shelving curves available for any band - Low band can work also as shelving/high-pass - High band can work also as shelving/low-pass |
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| DYNAMICS | Basic algorithm: Compressor/Limiter, Noise Gate, Ducker, Expander, Compander | |||
| CHANNEL DELAY | Up to 2600 samples (54 ms @ 48kHz) | |||
| PHASE | Normal / Reverse | |||
| LEVEL CONTROLS | -
100 mm. motorized faders (16 mono + 4 stereo) - Rotary encoders (16 Tape + 2 FX Return) |
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| PAN | 33 positions | |||
| ROUTING | -
Stereo Out - Direct Out (Mic /Line channels only) - Bus 1-8 |
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| SOLO | On/Off, Pre Fader/After Pan | |||
| METERING | Pre-EQ/Post-EQ/Post-Fader metering on LCD or optional Meter Bridge | |||
| Outputs: Stereo / Bus 1-8 / Aux 1-6 / Control Room / Studio Monitor | ||||
| OUTPUT DETAILS | Stereo - Analog outputs: balanced (XLR) and unbalanced (RCA jack) - Digital outputs: AES/EBU and S/PDIF (coaxial) Bus 1-8 - Analog outputs: balanced (TRS jack) using YGDAI cards - Digital outputs: ADAT Optical, Tascam T-DIF, AES/EBU, Y2, depending from YGDAI cards used Note: Bus outputs can also be routed to Aux out 1-6 (02R v.2 only) Aux Out - 1-6: unbalanced (phone jack) Note: Aux Out can also be routed to YGDAI cards (02R v.2 only) Control Room - Balanced (TRS jack) Studio Monitor - Balanced (TRS jack) |
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| EQ | -
4-band parametric full sweeping (+/- 18 dB, Q range between 10 and
0.1) - Peak and shelving curves available for any band - Low band can work also as shelving/high-pass - High band can work also as shelving/low-pass Note: available on Stereo Out only |
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| DYNAMICS | Basic
algorithm: Compressor/Limiter, Noise Gate, Ducker, Expander, Compander Note: available on Stereo Out and Bus Out only |
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| LEVEL CONTROLS | -
Stereo Out: 100 mm. motorized fader - Bus Out 1-8: rotary encoder - Aux Out 1-8: rotary encoder |
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| D/A CONVERTERS | -
Stereo Out: 20-bit linear (8x oversampling) - Aux Out: 18-bit linear (8x oversampling) - Control Room Out: 20-bit linear (8x oversampling) - Studio Monitor Out: 18-bit linear (8x oversampling) |
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| I/O
OPTIONS (BUS OUT 1-8) |
Analog, ADAT Optical, T-DIF Tascam, AES/EBU, Yamaha (YGDAI cards) | |||
| METERING | -
Stereo Out: Pre-Fader/Post-Fader metering (LCD or optional Meter Bridge) - Bus Out/Aux Out: Pre-Fader/Post-Fader (LCD or optional Meter Bridge) |
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| Other | ||||
| DISPLAY | 320x240 LCD backlit graphic display | |||
| SELECTED CH PANEL | Assignable to any selected channel with EQ, Pan, CH Routing, Aux Send controls | |||
| GROUPS | -
Fader: 4 - Mute: 4 |
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| PAIR | Available for adjacent channels (odd-even) and outputs (Bus 1-2/3-4/5-6/7-8 and Aux 1-2/3-4/5-6) | |||
| PAN TYPE | Normal/Gang mode (independent for every paired channel) | |||
| SOLO MODE | PFL / Solo / Solo In-Place | |||
| DYNAMIC PROCESSORS | -
50 (channels Mic/Line 1-24, Tape 1-16; outputs Bus Out 1-8, Stereo
Out) - Basic algorithms: Compressor/Limiter, Noise Gate, Ducker, Expander, Compander |
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| AUX SEND | 8
Pre/Post - 6 routed to external out (Aux 1-6) - 2 routed to internal FX processors (Aux 7-8) |
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| FX PROCESSORS | 2 internal (basic algorithms: Reverb, Gate/Reverse Reverb, Delay, Delay-Chorus, Early Reflections, Chorus, Chorus-Reverb, Flanger/ Flange-Reverb, Phasing, Tremolo, Pitch Shifter, Auto Pan) | |||
| LIBRARY | -
Effect: 40 preset + 88 user - Dynamic: 40 preset + 88 user - EQ: 32 preset + 96 user - Channel: 64 user - Automix: 16 |
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| AUTOMIX MAIN FEATURES |
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Faders, EQ, Pan, CH ON, Surround (02R v.2 only) overwriting - Off-line extract and editing (02R v.2 only) features - Time Offset (02R v.2 only) - Time Code: MTC (In) / SMPTE (In) |
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| SURROUND (02R v.2 ONLY) |
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2+2, 3+1, 5+1 modes - Editable trajectory with graphic interface |
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| OTHER | -
Test oscillator - Talkback / Slate - Meter Bridge (optional) - Remote control features (02R v.2 only) - MMC support (02R v.2 only) |
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