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DIGITAL
MULTITRACK
RECORDING |
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MIDI
COMMUNICATION
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| Recorder Section | ||||
| SAMPLING
RATE AND FREQUENCY RESPONSE (+/- 0.3 dB) |
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48 kHz: 10 Hz - 22.6 kHz - 44.1 kHz: 10 Hz - 21 kHz - 32 kHz: 10 Hz - 15.5 kHz |
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| RECORDING MODES | -
Mastering - MultiTrack 1 - MultiTrack 2 - Live |
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| THD | Less
than 0.08% in Mastering mode (input sens. = -10 dBm, 1 kHz, nominal
output level) Note: distortion level depends from recording mode. Increasing data compression, distortion increases too. This can be heard in MT2 and LIVE modes for frequencies over 10 kHz. |
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| TRACK
NUMBER (RECORD) |
4 simultaneous recording tracks | |||
| TRACK
NUMBER (PLAYBACK) |
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4 simultaneous playback tracks in Mastering mode - 8 simultaneous playback tracks in the other modes |
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| VIRTUAL TRACKS | 64 (8 for each track) | |||
| LOCATE
/ CUE FUNCTIONS |
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Up to 1000 markers for each song - Up to 32 song location points - Preview and Scrub functions for specific points location |
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| SONG EDITING | -
Cut, Copy and Paste advanced functions - Time compression/expansion functions |
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| SYNCHRONIZATION | -
MIDI Time Code - MIDI Machine Control - MIDI Clock In/Out |
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| CONTROL FUNCTIONS | -
LCD not backlit display - TIME/VALUE rotary encoder - Start/Stop, Record, Tap Marker footswitch control |
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| MASS STORAGE | -
Optional internal IDE 2,5" HD - Built-in SCSI interface (with d-sub DB-25 connector) for external HD connection - Data backup on HD or DAT |
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| Mixer Section | ||||
| INPUTS | -
4 Mic/Line balanced inputs (phone jack and pin RCA, gain from -50
to + 4 dBu) - Stereo digital in (S/PDIF), in coaxial and optical format |
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| OUTPUTS | -
Master Out (pin RCA, 0 dBu) - A-B Aux Send (pin RCA, 0 dBu) - Stereo Digital Out (S/PDIF), in coaxial and optical format - Phones Out (stereo phone jack, 8 - 50 ohm) |
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| SIGNAL
CONVERSION AND PROCESSING |
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A/D converter: 18-bit, 256x oversampling - D/A converter: 18-bit, 8x oversampling - Internal processing: 24-bit |
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| CHANNELS (INPUT MIXER) |
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Control of 6 analog inputs and Digital In L/R pair - Input signals can be assigned to recording or stereo bus |
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| MODE INPUT > TRACK |
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6 inputs on 8 tracks: 8 channels with 3 bands +/- 12 dB E (Low: 40-1500
Hz shelving semipar. Mid: 200-8000 Hz peaking param. High: 0.5-18
kHz shelving semipar.). Note: this mode allows a direct recording of the input signals without EQ processing (used for monitoring). During remix, the recorder 8 tracks can use the 3 bands EQ. |
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| MODE INPUT MIX > TRACK MIX |
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6 inputs + 8 tracks: 14 channels with 2 bands +/- 12 dB EQ (Low: 40-1500
Hz shelving semipar. High: 0.5-18 kHz shelving semipar.) Note: this mode allows to use the EQ during input signals recording or tracks bouncing. During remix, the recorder 8 tracks, the 4 analog and the 2 digital inputs can use the 2 bands EQ. |
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| MEMORIES
/ MIDI CONTROL |
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Scene memories for mix parameters storage (up to 8 scene memories
available for each song) - Dynamic mix control through MIDI (via Control Change or SysEx) |
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| Recorder Section | ||||
| SAMPLING
RATE AND FREQUENCY RESPONSE (+/- 0.2 dB) |
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48 kHz: 20 Hz - 22 kHz - 44.1 kHz: 20 Hz - 20 kHz - 32 kHz: 20 Hz - 14 kHz |
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| RECORDING MODES | -
Mastering - MultiTrack 1 - MultiTrack 2 - Live |
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| THD | Less
than 0.004% in Mastering mode. Note: distortion level depends from recording mode. Increasing data compression, distortion increases too. This can be heard in MT2 and LIVE modes for frequencies over 10 kHz. |
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| TRACK
NUMBER (RECORD) |
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8 simultaneous recording tracks - 6 simultaneous recording tracks in Mastering mode |
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| TRACK
NUMBER (PLAYBACK) |
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6 simultaneous playback tracks in Mastering mode - 8 simultaneous playback tracks in the other modes |
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| VIRTUAL TRACKS | 128 (16 for each track) | |||
| LOCATE
/ CUE FUNCTIONS |
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Up to 1000 markers for each song - Up to 32 song location points - Preview and Scrub functions for specific points location |
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| SONG EDITING | -
Cut, Copy and Paste advanced functions - Time compression/expansion functions |
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| SYNCHRONIZATION | -
MIDI Time Code - MIDI Machine Control - MIDI Clock In/Out |
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| CONTROL FUNCTIONS | -
LCD backlit display - TIME/VALUE rotary encoder - Start/Stop, Record, Tap Marker footswitch control |
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| MASS STORAGE | -
Optional internal IDE 2,5" HD - Built-in SCSI interface (with d-sub DB-25 connector) for external HD connection - Data backup on HD or DAT |
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| Mixer Section | ||||
| INPUTS | -
6 Mic/Line balanced inputs (phone jack and pin RCA, gain from -50
to + 4 dBu) - Stereo digital in (S/PDIF), in coaxial and optical format |
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| OUTPUTS | -
Master Out (pin RCA, 0 dBu) - A-B Aux Send (pin RCA, 0 dBu) - Stereo Digital Out (S/PDIF), in coaxial and optical format - Phones Out (stereo phone jack, 22 ohm) |
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| SIGNAL
CONVERSION AND PROCESSING |
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A/D converter: 20-bit, 64x oversampling - D/A converter: 20-bit, 128x oversampling - Internal processing: 24-bit |
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| CHANNELS (INPUT MIXER) |
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Control of 6 analog inputs and Digital In L/R pair - Input signals can be assigned to recording or stereo bus |
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| CHANNELS (TRACK MIXER) |
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Control of 1-8 recording returns (tracks) - It allows the bouncing/mixdown of recorded tracks, eventually mixing simultaneously in real time the input sources through the input mixer. |
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| CHANNEL
DETAILS: EQ CONTROLS |
2 or 3 bands selectable (2 shelving with variable frequency + 1 parametric) | |||
| MEMORIES
/ MIDI CONTROL |
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Scene memories for mix parameters storage (up to 8 scene memories
available for each song) - Static and dynamic automix functions onboard - Dynamic mix control through MIDI (via Control Change or SysEx) |
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