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Recorder
Section |
SAMPLE
RATE |
32
kHz / 44.1 kHz / 48 kHz / 64 kHz / 88.2 kHz / 96 kHz
Range when using VariPitch function
- 96.0 kHz: 22.0 kHz - 98.0 kHz
- 48.0 kHz: 22.0 kHz - 50.0 kHz
|
FREQUENCY
RESPONSE |
-
96.0 kHz: 20 Hz - 40 kHz (+0dB/-2dB)
- 88.2 kHz: 20 Hz - 40 kHz (+0dB/-2dB)
- 48.0 kHz: 20 Hz - 22 kHz (+0dB/-2dB)
- 44.1 kHz: 20 Hz - 20 kHz (+0dB/-2dB)
- 32.0 kHz: 20 Hz - 14 kHz (+0dB/-2dB) |
RECORDING
FORMAT |
-
M24 mode: 24-bit linear
- MTP mode: 24-bit, compressed with Roland proprietary R-DAC coding
technology
- CDR and M16 mode: 16-bit linear
- MT1, MT2, LIV, LV2 modes: allow increasing levels of compression |
RECORDING
TIME |
-
|
96
kHz |
88.2
kHz |
64
kHz |
48
kHz |
44.1
kHz |
32
kHz |
M24
(Mastering 24) |
662 |
721 |
993 |
1324 |
1442 |
1987 |
MTP
(MultiTrack Pro) |
1989 |
2165 |
2983 |
3977 |
4329 |
5966 |
M16
(Mastering 16) |
994 |
1082 |
1491 |
1989 |
2165 |
2983 |
CDR
(CD-R Writing) |
994 |
1082 |
1491 |
1989 |
2165 |
2983 |
MT1
(MultiTrack 1) |
1989 |
2165 |
2983 |
3977 |
4329 |
5966 |
MT2
(MultiTrack 2) |
2651 |
2885 |
3976 |
5302 |
5771 |
7953 |
LIV
(Live 1) |
3181 |
3462 |
4772 |
6362 |
6925 |
9543 |
LV2
(Live 2) |
3977 |
4329 |
5966 |
7955 |
8658 |
11932 |
Note: values calculated in minutes for one track, at 10 Gb
partition (maximun size allowed). Times may vary slightly depending
on drive spcifications and on the number of Projects that were created. |
MAXIMUM
STORE CAPACITY |
1024
Gb (8 HD x 13 partitions x 10 Gb) |
MAXIMUM
NUMBER
OF PROJECTS |
20.800
(200 for each partition) |
MAXIMUM
SIMULTANEOUS
RECORDING TRACKS |
-
16 (32 kHz / 44.1 kHz / 48 kHz sample rate)
- 8 (64 kHz / 88.2 kHz / 96 kHz sample rate) |
MAXIMUM
SIMULTANEOUS
PLAYBACK TRACKS |
-
24 (MTP, MT1, MT2, LIV and LV2 modes, with sample rate up to 48 kHz)
- 16 (M24, M16 and CDR modes, with sample rate above 48 kHz)
- 12 (MTP, MT1, MT2, LIV and LV2 modes, with sample rate up to 48
kHz)
- 8 (M24, M16 and CDR modes, with sample rate above 48 kHz) |
VIRTUAL
TRACKS |
384
(16 virtual tracks x 24) |
LOCATED
/ CUE
FUNCTIONS |
-
100 locators per Project (organized in 10 banks)
- 1000 Marker per Project |
EDITING
FUNCTIONS |
-
Cut, Copy, Move and Paste functions advanced management
- Track normalization
- Time Compression/Expansion functions |
SYNCHRONIZATION
|
-
MTC, MMC, MIDI Clock In/Out (integrated MIDI interface)
- Sync Track recording from external MIDI sequencer
- Internal Tempo Map programming
- WordClock In (BNC) |
MASS
STORAGE |
-
Internal 3.5" IDE HD (40 Gb)
- SCSI interface (D-sub 50 pin connector) for external HD
- Support for external SCSI CD-Writer (audio CD-R mastering, CD-R/RW
backup) |
|
Mixer
Section |
INPUTS |
-
8 balanced mic inputs (XLR) with Phantom power (+48V), gain from -64
to -6 dBu
- 16 balanced line inputs (TRS jack), gain from -44 to +14 dBu
- 1 unbalanced Hi-Z jack guitar input (1M ohm)
- 1 coaxial S/PDIF digital input
- 1 optical S/PDIF digital input
- 16 digital inputs (2 R-BUS interfaces) |
OUTPUTS |
-
1 Stereo Master Out (balanced TRS jacks, +4 dBu)
- 1 Stereo Monitor Out (balanced TRS jacks, +4 dBu)
- 2 Stereo AUX Out (balanced TRS jacks, +4 dBu)
- 1 coaxial S/PDIF digital output
- 1 optical S/PDIF digital output
- 16 digital outputs (2 R-BUS interfaces)
- 2 indipendent headphones outputs (stereo jack, 22 ohm) |
CONVERTERS
AND
INTERNAL RESOLUTION |
-
A/D conversion: 24-bit
- D/A conversion: 24-bit
- Internal resolution: 56-bit |
CHANNEL
DETAILS:
EQ CONTROLS |
-
2 parametric bands (F: 20-20000 Hz; Gain: +/-15 dB; Q: 0.36 - 16)
- 2 shelving bands (F: 20-1000 Hz / 1000-20000 Hz; Gain: +/-15 dB)
- 1 Multi-Mode filter (Low-Pass, High-Pass, Band-Pass or Band-Reject
(F: 20-20000 Hz; Gain: +/-15 dB)
- Up to 48 simultaneous channels in both Input Mixer and Track Mixer |
CHANNEL DETAILS:
DYNAMICS PROCESSORS
|
-
Algorithms: Compressor, Expander, Compressor+Expander
- Controls: ratio, treshold, attack and release time, gain level
- AutoGain and Ducking (SideChain) functions
- Up to 48 simultaneous channels (Compressor+Expander: up to 24 channels) |
CHANNEL
DETAILS:
OTHER CONTROLS |
-
Input attenuator (PAD -20 dB)
- Virtual track selection (1-16)
- Phase, Pan, Fader, Solo, Mute
- Aux/Effect Sends (8)
- Fader Link, Channel Link, Group Assign (1-16), Direct Out (1-8) |
FX
PROCESSORS |
-
2 internal multi-effects processors expandable to 8 with 3 optional
VS8F-2 boards
- RSS (Roland Sound Space) technology for three-dimensional space
simulation
- COSM (Composite Object Sound Modeling) technology for mic and speaker
simulation
- Algorithms: Reverb, MultiTap Delay, Chorus, Phaser, Flanger, Compressor/Limiter,
Filter, Rotary Speaker, etc. |
MEMORY |
-
100 scene memory locations for mix parameters storage
- Integrated AutoMix function with micro-editing options |
SURROUND |
-
Surround 5.1 support |
|
Other
Functions and General Features |
OTHER
FUNCTIONS |
-
Phrase Pad: audio samples from the current Project can be triggered
directly from the VS-2480 panel keys
- Virtual Fader: freely assignable MIDI CC messages can be sent to
external devices from faders and rotative controls
- Integrated oscillator (white noise, pink noise, 20-2000 Hz sine
wave)
- Integrated spectrum analyzer
- Integrated metronome |
USER
INTERFACE |
-
Backlit graphic display (320x240 dots)
- VGA monitor out, parameter view indipendent from the integrated
display
- Mouse and ASCII keyboard (PS/2 type) support
- Rotative dial with scrubbing functions
- Pedal input for Play/Stop and Punch In/Out functions control |
POWER
CONSUMPTION |
80
W (including the internal HD) |
SIZE |
620
x 520 x 138 mm |
WEIGHT |
12
kg (excluding the internal HD) |
|