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LINE6 BASS POD / BASS POD Pro
TECHNICAL DETAILS
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Featuring
the same shape, but in grey color, the BASS POD provides 16 Bass
Amps and 16 Bass Cabinet models simulation together with a full
range of bass effects.
The outputs management is different from the guitar version.
It allows, in fact, the simultaneous use of both direct and model
outputs.
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The
BASS POD Pro is the BASS POD rack mounted version. Basically, it
features the same BASS POD operation. Compared with the compact
BASS POD, it provides additional connectors. For instance, send/return
for external processors, digital ports (with external wordclock
sync) and a more flexible outputs management (extremely useful for
recording and live setups) are included. Both direct and amplifier
connectors are also available.
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| Main
Features |
| AMPLIFIER
MODELS |
16
amplifier models |
| CABINET
MODELS |
16 models |
| CONTROLS
|
Amplifier
model selector Effect/cabinet selector Output level, Drive, Bass,
Middle, Treble, Chan Vol, Compress, Effect Tweak knobs Up/Down, MANUAL,
MIDI, SAVE, TUNER, APPLY FX TO D.I., CABS AND EQ keys
NOTE: More parameters are available (i.e: parametric EQ, noise gate
on/off, etc.). They can be selected pressing simultaneously some panel
controls or thru computer editing software. |
| BUILT-IN
EFFECTS |
-
Wah (always available)
- "Studio quality" compressor (always available)
- Noise Gate (always available)
- Distortion, phaser, flanger, envelope follower, octaver (each one
alternatively available in combination with the compressor) |
| BASS
POD INPUT/OUTPUT |
-
High impedency connector for instrument connection
- Balanced / unbalanced TRS jack AMP Mono Out with A.I.R. function
for direct mixer connection (simulation of the amplifier-cabinet-environment-
microphone chain)
- Balanced / unbalanced TRS jack DI mono Out (the built-in effects
can be sent to the AMP out and to the DI output)
- Stereo Headphone connector
- MIDI In/Out |
| BASS
POD PRO INPUT/OUTPUT |
-
High Impedency Input for instrument connection
- Unprocessed Out
- Line Level Input for Re-Amping
- Send & Return for external effects
- Balanced XLR Stereo Output
- Unbalanced jack Stereo Output
- LIVE MODE/STUDIO MODE selector to assign the AIR function to the
XLR and jack Outputs
- Selectable AES/EBU or S/PDIF digital output
- Selectable Wordclock In
- Stereo Headphone connector
- MIDI In/Out
- RJ45 port for Line6 pedalboards |
| MEMORY |
-
36 programmable Channels (Programs): 9 banks x 4 memories |
| EDITING
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-
Direct sound editing thru the built-in controls.
- A dedicated version of the Emagic SoundDiver software is supplied
together with the BASS POD (both for PC and Mac platforms). SoundDiver
allows a more accurate editing of the parameters (some of them can
be directly edited on the BASS POD itself) and the storage of the
edited data on the computer as library files. |
| MIDI
CONTROL |
-
Memories can be recalled thru MIDI Program Changes
- All parameters can be realtime MIDI controlled thru the Line6 preset
Control Change map. |
| OTHER
FUNCTIONS |
Chromatic
tuner with automatic muting; the wah effect can be controlled via
MIDI or thru the Line6 Floor Board. |
| OPTIONAL
ACCESSORIES |
-
Line 6 Floor Board, a dedicated pedalboard for a remote access to
memories and effects, wah control, chromatic Tuner and Tap tempo functions.
- Line 6 FB4, a compact size pedalboard for an immediate recall of
the 4 Channels (Programs) included in each selected Bank and a quick
access to the Tap tempo function.
- BASS POD Mount to secure the unit to a standard microphone stand
or slip it underneath an amplifier handle
- Carriage soft case |
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| Amplifier
Models |
| Session |
SWR
SM-400 |
| California |
Mesa Boogie Bass 400+ |
| Jazz
Tone |
Polytone Mini-Brute |
| Adam
& Eve |
Eden Traveller WT-300 |
| Eighties |
Gallien
Krueger 800RB |
| Stadium |
Sunn
Coliseum 300 |
| Amp
360 |
Acoustic
360 |
| Rock
Classic |
1974
Ampeg SVT |
| Brit
Major |
1969
Marshall Major |
| Brit
Super |
1968
Marshall Super Bass |
| Silver
Panel |
1967
Fender Bassman Amp |
| Brit
Class A |
Vox
AC-100 |
| Motor
City |
Versatone
Pan-O-Flex |
| Flip
Top |
Ampeg
B-15 |
| Sub
Dub |
Studio
set simulation for "lower than low" applications ... |
| Tube
Preamp |
Multipurpose
tube preamplifier |
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| Cabinet
Models |
| 1x10' |
1979
8x10 Ampeg SWT |
| 1x10' |
4x10
Eden "David" |
| 1x10' |
4x10
SWR "Goliath" |
| 1x10' |
4x10
Hartke |
| 1x12' |
'60
1x12 Versatone Pan-O-Flex |
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1x12'
|
4x12
1968 Marshall (with "pre-rola" 25 speakers) |
| 1x15' |
1x15
Ampeg B-15 closed cabinet combo |
| 1x15' |
1x15
Polytone closed cabinet combo |
| 1x15' |
2x15
Vox AC-100 |
| 1x15' |
2x15
Mesa Boogie with front opening |
| 1x15' |
2x15
Fender Bassman with JBL speakers |
| 1x15' |
1969
4x15 Marshall Major |
| 1x18' |
1x18
SWR |
| 1x18' |
360
Acoustic cabinet |
| 1x18' |
Sunn
Coliseum 8028 cabinet (1x18 + 1x12) |
| No
Cab |
No
simulation on the output signal |
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| Effect
Types (vers. 1.0) |
| Wah |
Based
on the well-known '60 Vox wah (controlled via MIDI or thru Line6 Floor
Board) |
| Compressor |
Based
on the famous LA-2A with adjustable threshold |
| Octave
Down |
Based
on the the Roland CE-1 chorus pedal |
| Analog
Chorus |
Based
on the tc electronic Stereo Chorus/Flanger pedal |
| Danish
Chorus |
Based
on a square wave modulation ("rack processor" type) |
| Orange
Phase |
MXR
Phase 90 |
| Gray
Flanger |
MXR
Flanger |
| Tron
Down |
Mu
Tron II envelope follower ("DOWN" switch) |
| Tron
Up |
Mu
Tron II envelope follower ("UP" switch) |
| S
& H |
Based
on the Oberheim Voltage Controlled Filter |
| S
& H + Flanger |
S
& H together with a Gray Flanger |
| S
& H + Danish Driver |
S
& H together with a Danish driver |
| Bass
Synth |
Based
on a Boss Bass Synth |
| Danish
Driver |
tc
electronic Booster Line driver + Distortion |
| Large
Pie |
Based on the Electro Harmonix Big Muff Pi |
| Pig
Foot |
Based
on the Hogs Foot pedal |
| Rodent |
Rat
distortion pedal |
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